viernes, 29 de junio de 2012

Palabras sueltas

Yo te he visto con estos ojos cansados en tantas camas vacías, en tantos aires oxidados que emergen del pasado. 

Yo te visto, y no te conozco, pero solo quiero quedarme con tu risa... con tu lengua, con ese diente amarillo que brilla bajo el sol, con un pedacito de ti en el bolsillo derecho. Que raras son las cosas, los signos que recorren el mundo, el sonido del zapato mojado que pisa la lluvia, las luces de la calles viscosas que emergen   ante mí. Extraño es que tú hayas aparecido, precisamente en este instante en el que necesitaba algo... alguien en que creer. Tristes, rotos, mis pasos me llevan al borde la de la vereda, al confín de los dedos que buscan subir por tu piel y te tocan, te desmenuzan, te destruyen para luego hacerte míos. Raras son también las palabras que no pueden salir de la boca en este silencio que gime por mi garganta mientras me consume la furia de no tenerte, de no tenerme, de ser un punto en las hojas manchadas de tu aliento. Y es que todo se consume en esta vorágine perpetua a la que llamamos vida (O muerte, o principio), el brazo rasgado que cuelga sobre la piel. Te apoyas en mi hombro y tiemblo despacio, y mientras tiritamos en este frío blanco y raudo... siento que te veo por vez primera. 


Señor, yo conozco
el tiempo de las casas vacías
las he visto
tantas veces
suspender besos
en el aire
casi como estrellas que se resisten a morir
yo conozco
porque alguna vez (como a todos nos pasa)
me sacaron de mi
útero
primera casa vacía

señor yo conozco
el sonido de las casas vacías
sonido en blanco y negro o de huaca
sonido que escribe en las paredes

Nada queda, a veces.
Señor, no desampares
las casas vacías
ni de noche
ni de día.

miércoles, 27 de junio de 2012

Variación I

seguro no la leerás
o si la leerás, dirás que nunca la tuviste frente tuyo
lo que importa,
al recoger la carta con las manos purísimas o
al mover las pupilas (blanco negro blanco) lento
                                                                     lento
                                                                     lento como la santidad
                                                                     lento como el destiempo
                                                                     el movimiento
lo que importa
(mar nuestro de cada día)
es siempre el movimiento

domingo, 24 de junio de 2012

del movimiento

Soy el hombre de las legumbres, los tomates
Soy la mujer de los volcanes, los truenos

los dias son iguales cada temporada
los astros son todos locales cada luna

las señoras usan sus sombreros rojos
las cabezas usan sus alfombras azules

y son lindas y corteses conmigo
y son transdemenciales y ruines conmigo

pero nunca van a la segunda cita.
pero siempre van a la tercera vuelta.



renato perazzo/laetitia gehin

sábado, 23 de junio de 2012

Sublimación


¿Acaso el amanecer
es más que la sangre
volviéndose fuego turbio?

Y yo, que veo
los rostros quemados
que se arrastran, voluptuosos,
al estallido del asfalto,
¿en qué me he convertido?

Palpo mis ojos
y el desencuentro
absorbe mis manos.

Quiero sentir mi pulso
y sólo siento
arena y cristales.

¿Habré caminado
entre demasiadas sombras
con las manos abiertas?

¿O será sólo
que mi palpitar ha estallado
en plumas de destierro?

Veo la masa agitarse en orgasmos
y reintegrarse
en bordes grises.

Y yo, trepando nubes, sólo observo,
vomitando arena fría,
perforadas mis palabras.

Yo no necesito calor,
tengo el impulso del silencio,
Tengo rosas negras y caídas profundas,
tengo la costumbre de las manos tiesas.

Yo no necesito masa, ni sangre caliente,
ni labios abiertos, ni ojos que laten
(ya me he envenenado con sus cartas blancas);
ahora quisiera tumbas frescas,
vuelos de cera, autoexilio,
olvido.

pies en las nubes; cabeza en la tierra

Dónde está el problema
en la ducha
en el patio
los temblores nunca se detienen
la necedad del exilio
no encuentras nada
en las calles
en las fiestas
y vuelves a empezar
a olvidar
y sientes que explotas
que implotas
porque el problema
está en las nubes
y en las fotos azules
el problema es la diferencia
es de afuera
(y es de adentro)

martes, 19 de junio de 2012

In Which I Attempt a Lifelike Portrait:

Aɴ Iɴᴛʀᴏᴅᴜᴄᴛɪᴏɴ: Alfred Mansfield, Esq., born in 19__, is a rat catcher, reveller and gentleman thief. He smells not of lilacs but of mild brow-sweat, which is surprising as he detests toil of any kind. He is altogether innocent of social niceties, of tubercular growths, and of having an opinion on the urban poor. Stoicism masks crippling shyness; his rough beard, the weak chin of a decaying bloodline (of which he hopes to be the last); indolence, a genuinely charming and simple personality; and so on, and so on. This is, of course, a picture of Vanity, all figures distorted, looked upon by an indulgent eye – that said, it is also a work of fiction. It is only logical that he fail to capture the spirit of the Bʀɪɢʜᴛ ᴀɴᴅ Yᴏᴜɴɢ in all its splendour or even accuracy. (This is, by necessity, a justification. May we be excused. – The Author.)

When finally released from his bed (never before two), he writes columns for failing women’s magazines. This has been, so far, the one notable exception, and the first in a series of sorry stories.

The boy called Mouse was a lonely one, because he knew no others. Past a formative age, he lost the inner stirring for human company, preferring the cracks in the pavement, the broken groove, the racial slur upon the wall. For Life was built upon hints, and not on what was voiced – that he believed, truly, and he believed, too, in Man as Rule-breaker, given a voice, and with it the choice to lie and circumvent the obvious, which is, in the end, the same.

Every morning he took a walk, eyes misted, and each morning he took it to himself to look at everything but the People. The raggedy and the rich were the same, equally guilty in their obstruction of Truth. It is to his credit that no distinction was made between the two, as would a social Darwinist or armchair revolutionary – the first unjustly adjudicating intelligence to those who rose to the top; the other, alleging some purity or sincerity or goodness in the downtrodden. For they rose from broken premises, forgetting that the Game is played by all, and that the only difference is that the poor are made weak.

A block from the bus stop, he felt a brush by his leg, and recognised it at once. He stretched a thin, bright hand in communion – the nose got a whiff, then, a look of recognition from twin agate stones. An impromptu meeting between the Old God and the Young, each dispossessed of his People, rendered useless; one beaten, one cast out of his own accord – which being which, that is for the Reader to make a pick. The Old Dog and the New. Six legs bent with rickets, hips creaking, the boy thinking, “Kindred spirits.”

What the limping collie thought of him, we will never know. That is of no importance – for the boy found, in this encounter, when he thought himself alone, a most elevated aesthetic experience. Communication! So difficult, so rare in the present century, when one argues as would a lawyer, blind and deaf to any evidence against one’s own, his opponent’s premises but obstacles to sort through and shut down. The combatants opposed in what is traditionally called “the masculine space”, where he who yells the loudest is proclaimed winner – the term is inexact, for the world is rife with talented female debaters, who win not by the prolonged silences of The Art of War, but by sheer force – a masculinity repressed, because of what?

I propose that it is so for the lack of ritual violence. The boy called Mouse, affected by the maddening phases so common in solitary youth, who are numerous but unseen, at the very moment, thought the same.

For our boy was a fine artist of sophistry. He thought he could not convince himself of truly believing in anything. Paradoxically, the converse was also correct: he gave his sins the most logical justifications, sin being simply what one calls “the Mistake”, an inconvenience. (In this, he contradicted himself. He did not know it.) And socially accepted violence required a much larger space than what it was given these days, if it was to have an effect, and pacify men in daily action.

Extreme sports and war correspondence did so little. So he gave the dog a kick, and it fled, not giving even a yelp, for the kick was half-hearted. Immediately he repented, but the shepherd was gone ‘round the corner, looking back not as one who forgives, but as one who has already forgotten, its dark ruff marking the silhouette of a neck; it licked the tip of its nose – what it meant, the boy could not know, either – and was never seen again.

The boy resumed his walk, one unsteady step after the other. He felt distinctly queasy. Halfway through the ride North, he hurled eggs and boiled sausage, out the back door, on a perfumed woman who tried to pick a fight.

Yet he was not there.